Between poles and tides at Talbot Rice Gallery

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For some time now, I have had the pleasure of being one of the TRG3 residents at Talbot Rice Gallery with my dear friend, the artist Catherine Street.  We have had an amazing time responding to recent exhibitions, including Alice Neel: The Subject and Me and the British Art Show 8.

I was delighted to have the opportunity, following on from our residency, to contribute a text piece to the gallery’s new show: Between poles and tides.  It is an extraordinary mix of media and ideas, curated by Stuart Fallon and Neil Lebeter, with the theme of temporality twining the pieces together.  Artists include Daisy Lafarge, Ilana Halperin, Ian Hamilton Finlay and fabulous others.

My contribution is an ‘audio guide’ that you can listen to on headphones as you wander about the gallery, though it might not be the sort of audio guide you’ve come across before.

Please join us for the preview and get along to see the show.  If you have a listen on the headphones, I’d love to hear your thoughts on the experience.

Preview: Friday 10 February 2017: details here.

From the Talbot Rice website:

New Acquisitions from the University of Edinburgh Art Collection

David Batchelor, Ian Hamilton Finlay, Ilana Halperin, Jessica Harrison, Fabienne Hess, Daniel Hughes, Daisy Lafarge, Jonathan Owen, Katie Paterson, Isobel Turley, Luc Tuymans, JL Williams

#talbotrice | #betweenpoles

Including three tattooed Doulton figurines, a set of clocks that tell the time of every planet in the solar system, a sculpture created over ten months in a French cave and a large gazing leopard projected over the main Gallery space, Between poles and tides is a dramatic display of work recently acquired by the University of Edinburgh. It features work by established artists, recent graduates and works connected to the Talbot Rice Gallery programme.

Actively building its contemporary art collection since 2012, the University of Edinburgh has been strategically acquiring works that reflect and feed the breadth and depth of its teaching, learning and academic community. Ensuring public access to this collection, Between poles and tides demonstrates the quality and diversity of these new acquisitions. Formally and conceptually dynamic, the exhibition includes sculpture, painting, printmaking, video and poetry; whilst exploring ecology, cosmology, politics and geology. Reflecting a cross-section of contemporary artistic practice, it includes works concerned with appropriation, materiality and the act of collecting itself.

By jlwpoetry

Books by JL Williams include Condition of Fire (Shearsman, 2011), Locust and Marlin (Shearsman, 2014), House of the Tragic Poet (If A Leaf Falls Press, 2016), After Economy (Shearsman, 2017) and Origin (Shearsman, 2022). Published widely in journals, her poetry has been translated into numerous languages. She has read at international literature festivals and venues in the UK, Sweden, Germany, Denmark, Turkey, Cyprus, Canada, Hungary, Romania, Montenegro and the US. She wrote the libretto for the opera Snow which debuted in London in 2017, was awarded a bursary to develop a new opera with composer Samantha Fernando at the Royal Opera House and was a librettist for the award-winning 2020 covid-response Episodes project by The Opera Story. Williams curates writing events and creates workshops and professional development activities for poets. She is hopeful about the simple and mysterious power of poetry that allows us to know ourselves, each other and the world more deeply.

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