August in Edinburgh

It’s August in Edinburgh! There’s so much that is marvellous on offer, how can one choose? I’m already mourning my missing of the PJ Harvey gig, which I hear was life changing. Still to come: a few readings which it would be brilliant to see you at…

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I have the pleasure of reading at the Edinburgh International Book Festival with Rachael Boast on Tuesday 15 August at 3.30pm. Book your tickets here.

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The week starting Monday 21 August I’m part of the EIBF Live Poetry Lab residencies. My day is Wednesday 23 August but there are great poets on tap all week. Come along to watch us writing live and/or to contribute to our texts, tweet in contributions and festival memories to #LivePoetryLab and watch our collaborative writing come into being live online. More details and information about how you can contribute here and here.

I will also be reading on a stupendous bill at Second Space Poetry at the Safari Lounge starting at 8pm sharp on Saturday 26 August. More details here.

I’m planning to attend the Atlantic Drift launch party, which looks great and will feature readings by Andrea Brady, Sean Bonney & Sophie Collins.

I’ll be checking out the exhibitions at Talbot Rice Gallery and the Edinburgh Art Festival.

We’ve got tickets for Verdi’s Macbeth, plenty of events at the Edinburgh International Book Festival including Michael Longley and Rachel McCrum & Miriam Nash, Daphne Loads in the Cabaret of Dangerous Ideas talking about recipes and gender quality, Theatre Re and hopefully much more — recommendations are most welcome. Have a beautiful August, and for those of you in Edinburgh… happy Festivals!

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Word Up

I’ve been meaning to post links to all these nice blogs and articles that have come in over the past few months and haven’t had time, so I thought I would do a round up.

A lovely blog by translator and poet Elżbieta Wójcik-Leese about the Polish translation workshop with poet Wojciech Bonowicz that took place at the Scottish Poetry Library toward the end of last year, including a few of our translations: Polish Signs.

A review in The Observer of my opera, Snow, which premiered in London in February 2017: Observer Review.

A collection of recordings of poems from the Signal project that I was involved in thanks to an invitation from Marjorie Lotfi Gill last year as part of the Edinburgh Art Festival: EAF Signal Poems.

A blog on the Scottish Review of Books website that seems like it’s from a different world now, but with a nice mention of me and Hillary at the end: SRB blog.

A very generous blog by Colin Waters about me moving on from the Scottish Poetry Library at the end of last year: Jennifer Leaving SPL Blog.

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(c) Nick Rutter from Snow, The Opera Story, 2017

 

Flint & Pitch plus 12-Hour Action Group

Hello there!

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So much has been happening, and is happening… here are details and invitations for you:

I finished up at the Scottish Poetry Library in November and will be starting at my new job as Projects and Engagement Coordinator for the Institute for Academic Development at the University of Edinburgh next week – exciting!  Here is a super nice SPL Post that dear Colin Waters, SPL Communications Manager, wrote for my leaving.  Here too, on that subject, is a pre-election piece for the SRB he wrote mentioning my fateful meeting with Hillary Clinton so long ago that might remind you of those more innocent pre-Trump days.

Tomorrow I’m reading poetry at The Flint & Pitch Revue #2 along with a whole host of dizzyingly talented folks, so please do come along if you can make it.  It’s at the Bongo Club at 7pm and you can book your tickets here.

Then on Saturday I’ll be at Cooper Gallery in Dundee for the Of Other Spaces: Where Does Gesture Become Event? International Symposium 12-Hour Action Group, starting at 11am and, you guessed it, ending at 11pm.  I’ve been curating a collaborative writing project with 11 other Edinburgh-based writers in response to material in this incredible show, and it’s been such a stimulating, inspiring and redemptive experience to be making this collective work, especially over these past trying weeks.  We’ll be performing some of the texts, which will also appear shortly on the Cooper Gallery website.  You can come to this Symposium as well,  it’s free but you need to RSVP here.

There’s more to tell, but I think I will stop here for now and promise more soon.  Hope to see you at one or both of these events, or somewhere else very soon!

 

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http://www.dundee.ac.uk/djcad/exhibitions/events/actiongroupsymposium/

 

 

 

Drag Queen Poetry: The Library is Open!

I was so honoured to host the recent Drag Queen Poetry event at the Scottish Poetry Library.  When I first heard Iain Morrison reading his new sequence of Drag Queen poems in 2015, I knew they needed to be heard by more people.  Iain’s brilliant friend, poet and artist Jean-François Krebs, came on board and American poet Andy Emitt agreed to join us via Skype, and the rest is history.  Read more about it here and here and here.  The audience made it very clear to us that they appreciated the aesthetically-astute and intellectually-rigorous engagement with the subject combined with the sheer pleasure of the experience; poetry, music, dancing, prancing and of course… costumes!

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(c) Chris Scott 2016

Two Minute Manifesto

There’s a delicious collection of minds and hearts – David Greig (new Artistic Director of the Lyceum Theatre!), Zinnie Harris, Tiffany Jenkins, Dominic Hinde and Chrissy Barnacle – all on stage at the Traverse tomorrow night for the newest instalment of Two Minute Manifesto – and me doing a poem or two.  Do join us!

  

TALKFEST: CLOSE ENCOUNTERS

Join us if you can, tickets are available here.  It’s such a treat to be part of this!

PRESENTED BY PLAYWRIGHTS’ STUDIO, SCOTLAND AS PART OF TALKFEST AT THE TRON
CLOSE ENCOUNTERS

Closing Time by Kevin P. Gilday; Pirlie Wee Horses by JL Williams
Directed by Peter Arnott
22nd April 2015
7.45pm
Free but ticketed

A rehearsed reading of a brand new play with professional actors including Moyo Akandé, Paul Cunningham, George Docherty and Janette Foggo.

Peter Arnott and a team of actors will encounter two new plays in a live experiment. During the day, the director and actors’ immediate first response to the unseen texts as they unfold will be used to find each play’s strengths and weaknesses. Peter will then compile extracts from both plays to be presented on the same night, bringing the audience into this close encounter with new writing.

Closing Time written by Kevin P. Gilday
Pirlie Wee Horses written by JL Williams
Directed by Peter Arnott

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Jerwood Opera Writing Programme

Another piece of marvellous news just came along. I have been accepted onto the 2014/2015 Jerwood Opera Writing Programme. For a long time now I have been working with amazing composers and musicians such as James Iremonger to explore how poetry and music can combine to produce new creations, and this feels like the next (huge) step. Exciting!

Jerwood Opera Writing Programme

The Jerwood Opera Writing Programme at Aldeburgh Music is designed for composers, writers and directors who have little or no experience of writing or creating opera, and who want to widen their horizons and equip themselves to create contemporary work combining music, theatre and text. Artists can be at any stage of their career. Aldeburgh Music, with its unique, inspiring environment and its growing programme of professional development for musicians and composers, has an unparalleled history of creating new opera.

2014-15 Jerwood Opera Writing Foundation Course participants announced
Aldeburgh Music and the Jerwood Charitable Foundation are delighted to announce the participants for the Jerwood Opera Writing Foundation Course 2014 – 2015.

In March 2014, Aldeburgh Music invited applications for the next Jerwood Opera Writing Foundation Course from composers, writers and directors who have little or no experience of creating opera and who want to widen their horizons and equip themselves to create contemporary work combining music, theatre and text.

The course will take place at Aldeburgh Music on the Suffolk coast and will be led by composer David Sawer and theatre and opera director and designer Stewart Laing.

From over 100 applications submitted, the following artists have been selected to take part:

Josh Armstrong (director)
Finn Beames (director/writer)
Santa Bušs (composer)
Pamela Carter (playwright)
Leyli Daryoush (writer)
Petter Ekman (composer)
Samantha Fernando (composer)
Nic Green (director/performer/artist)
Max Hoehn (writer/director)
Edmund Hunt (composer)
Jesse Jones (composer)
Sarah Lewis (composer)
Lliam Paterson (composer)
Naomi Pinnock (composer)
Richard Scott (writer/poet)
Daniel Solon (playwright)
Andrew Thomas (composer)
Shiori Usui (composer)
JL (Jennifer) Williams (poet/playwright)

The selected artists will travel to Aldeburgh for three residential courses, which will take place in November 2014, March 2015 and September 2015.

Background

The Jerwood Opera Writing Programme was launched in 2007 followed by a second installment in 2010/11. Forty participants made up of composers, writers, and directors have been given a grounding in writing new opera through a mixture of practical workshops, contributions from teachers including Giorgio Battistelli, Harrison Birtwistle, Alison Chitty, Lavinia Greenlaw, Stephen Plaice, Stephen Langridge, David Sawer and Jonathan Dove amongst others.

Following on from this, Jerwood Opera Writing Fellowships were offered, giving a unique opportunity for composers and their collaborators to receive tailor-made support for writing a new opera. Four Fellowships were awarded in 2009, giving support to composers and their collaborators during the creation of a new work.

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