‘The fifty-six poems of After Economy balance on a wavering tightrope between oblivion, void and humanity. An intriguing unpredictability fills Williams’ poems, as they unfold into sensitive, beautiful musings: “this poem may die some evening in a garden by the sea”. A hallucinatory-feel transcends the confines of familiarity as “I was close enough / to hear colour, to see sound”. Enigmatic and thought-provoking poems.’ Poetry Book Society Bulletin, Summer Selections 2017



After Economy, Shearsman, 2017

House of the Tragic Poet, If A Leaf Falls Press, 2016

Our Real Red Selves, Vagabond Poets, 2015

Locust and Marlin, Shearsman, 2014

Condition of Fire, Shearsman, 2011

Festival Readings:

Edinburgh International Book Festival 2017, Edinburgh, Scotland

FISZ-tábor 2017, Visegrad, Hungary

Zona Nouă International Festival (Z9Festival) 2017, Sibiu, Romania

Festival de la Poésie de Montreal 2016, Montreal, Canada

7th Annual Iskele Municipality Culture and Art Days 2016, North Cyprus

Edinburgh International Book Festival 2015, Edinburgh, Scotland

International Eskişehir Poetry Festival 2015, Eskişehir, Turkey

Aye Write! Book Festival 2015, Glasgow, Scotland

StAnza International Poetry Festival 2015, St Andrews, Scotland

Aye Write! Book Festival 2013, Glasgow, Scotland

Collaborations and Art:

In the Ink Dark: commissioned writing for curator Luke Pell’s large scale multimedia exploration of memory and mortality, 2016-2017

Presence, Orestes, Presence: commissioned writing for artist Anneli Holmstrom’s -}}}}}} : {{{+}}} exhibition at Summerhall, May-July 2017

Between poles / And tides, performance and audio installation: collaboration with artist Catherine Street, Talbot Rice Gallery, Edinburgh, April 2017

The Glass Scene, a collaboration with Iain Morrison, performed at Vine Box, April 2017

Manifestations of Power, a collaboration with Roxana Vilk, performed at Vespers 6, March 2017

New poetic audio work, Between poles, exhibited as part of the Talbot Rice Gallery show Between poles and tides, Spring 2017

content work produce form, a collaboration of 12 women writers for Cooper Gallery, Dundee, December 2016

Writer-in-Residence at British Art Show 8 with Catherine Street

Selected for 2016/17 TRG3 Residency at Talbot Rice Gallery with artist Catherine Street

Commissioned to write Snow, a libretto based on the story of Snow White for The Opera Story, 2016

Relativity and Revelation, a new piece by composer Sarah Lianne Lewis including settings of my poems, performed live and broadcast on France Musique as part of her Voice and Creation residency in Aix-en-Provence at Festival d’Aix

Opul and various musical projects with composer and musician James Iremonger

Chiaroscuro Pentimenti with artist Anna Chapman and composer Martin Parker

Continuum with artist Catherine Street and composers/sound designers Martin Parker and Owen Green

Unforeseen at Hidden Door Festival 2015, live improvisation with Catherine Street, resident artists Hans Clausen, Charlie Knox, Martin Sweeny and audience

The Process of Content: on a temporality in contemporary art, Cooper Gallery, Dundee, reading with Catherine Street

Reading and Identity Conference, National Library of Scotland, reading with Catherine Street

12-hour Jamming Symposium, Cooper Gallery, Dundee, reading with Catherine Street

Filmpoems Condition of Fire and Trinity with artist Alastair Cook


Locust and Marlin shortlisted for the Saltire Scottish Poetry Book of the Year, 2014

Edwin Morgan Travel Bursary, 2009

Scottish Arts Council Grant for Chiaroscuro Pentimenti, 2006


Best Scottish Poems, 2015

Best Scottish Poems, 2014

Be The First To Like This, Vagabond Voices, 2014

Alquimia Del Fuego, Amargord Ediciones, Spanish Anthology of Fire Poems, 2014

Quaich: An Anthology of Translation in Scotland Today, 2014

Best Scottish Poems, 2013

New Writing Scotland 30, 2012

Best Scottish Poems, 2011


She has translated poetry from Spanish and Greek, and her poetry has been translated into Spanish, French, Dutch, Polish, German, Turkish and Greek.

JL Williams on the poet CP Cavafy.

Condition of Fire in a Filmpoem by Alastair Cook:

‘The distinction between historian and poet is not in the one writing prose and the other verse – you might put the work of Herodotus into verse, and it would still be a species of history; it consists really in this, that the one describes the thing that has been, and the other a kind of thing that might be. Hence poetry is something more philosophic and of graver import than history, since its statements are of the nature rather of universals, whereas those of history are singulars.’ Aristotle in The Poetics

 JL Williams Archive